As a doctoral student the first time round, I struggled to imagine myself conducting a seminar or giving a lecture. This struggle, allied to the knowledge that postdoctoral positions were thin on the ground, certainly influenced my decision to pursue a career in academic librarianship rather than pure academia.
I couldn’t have known that “thin on the ground” in the mid-eighties, would become “as rare as hens’ teeth” by the late noughties. How ironic, though, that I rejected the choice when I might have had one. Indeed, by not completing the first doctorate, the question of postdoctoral research simply never arose. I had already jumped ship by failing to complete.
Turn the clock forward a quarter of a century, though, and the landscape has changed. I’ve conducted seminars, sure I have. I’ve spent most of my working life helping students – mainly, but by no means solely on a one-to-one basis – and given countless papers. I don’t need to imagine myself doing it now!
And of course, I’ve completed a doctorate. I don’t need anyone to tell me that the second piece of work was better than the unfinished first attempt. Even if I’d finished the first thesis, I don’t think it would have been as good a piece of research, and certainly, the subject of late eighteenth and nineteenth century Scottish song-collecting has not only proved interdisciplinary (not even a consideration in the eighties), but also attracts more interest both from scholars and the wider community. I’ve never, ever been asked, ‘But why Scottish song?’ I was regularly asked, ‘But why PLAINsong?!
But, as I mentioned, the landscape and climate have shifted underfoot. A postdoc position? Almost impossible to find, and from a personal perspective, barely feasible, for who with family commitments would exchange permanence for something less?!
So, here I am. Knowing that it is conventional to speak and publish widely in the first postdoctoral year, I’ve been deeply, deeply conventional! But now, a year on?
I’ll address that in my next post!
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